A Westside Experiment
Young Actors Laboratory
As the parent of a theatrically inclined adolescent, IRT’s Westside Ex
-Joe Matunis, Father of Maya Matunis
For Ages 10-17
Since 2007, IRT Theater has served the downtown theater community by providing space, support and community for independent artists through its 3B Development Series. An offshoot of IRT’s 3B Development Series, the Westside Experiment offers students the skills to create original devised theater in collaboration with a working theater company in residence at IRT.
The progressive Young Actors Laboratory program still covers all the theater essentials, like physical-acting technique, improvisation & script writing, but with a decidedly downtown twist. This years unique summer experience will include a fusion of sign language, spoken word, mime, storytelling, dance and music. This is a great choice for students, hearing, Deaf, and Hard-of hearing, who are interested in theater but eager to try something more offbeat than, say, Oklahoma.
No prior acting experience necessary. Artists of all disciplines encouraged to apply. Bring an open mind and have it blown away!
Tuition: $600 per student (payable in cash or check)
Deposit: $200 non refundable deposit to hold spot.
Fully accessible and FREE for Deaf and Hard-of-Hearing students.
DOWNLOAD TUITION ASSISTANCE APPLICATION
Check should be sent to: IRT Theater 154
Christopher st. 3B NY, NY 10014
Credit Card price: $621.99
BEHIND THE SCENES:
In 2016-2017 We were under a contract with the John F. Kennedy Center for the Performing Arts. It was designed to provide enriching career development opportunities to Deaf and Hard-of-Hearing youth through the Westside Experiment. Please watch our video for more information. CLICK HERE
The Weirder the Better?
-November 2012 issue of American Theater Magazine
IRT’S Westside Experiment Provides Eureka Moments for Teens
Not all experiments happen in the lab.
– Featured in Seen in NY presented by Teachers College, Columbia University 2015
Amelia Hensley Broadway: Spring Awakening (Deaf West). Off Broadway: I Was Most Alive with You (Playwrights Horizons). NYC: Sylvia (NYDT), Dancing Girl (She NYC Arts), Stepchild (IRT Theater), Rape of Lucretia (New Camerata Opera). Seattle: A Midsummer Night’s Dream (12th Ave Arts), Skin (Deaf Spotlight). LA: Spring Awakening (Deaf West), Our Town (Pasadena Playhouse) Romeo and Juliet (Sontag Greek Theatre). DC: The Lady Becomes Him, (Faction of Fools), Peepshow (Dog & Pony DC), Noises Off (Kennedy Center American College Theater Festival).
HONORARY GUEST TEACHERS:
Julia C. Levy is Executive Director of Roundabout Theatre Company. In her 25 years with Roundabout, Julia has guided its growth from a small off-Broadway company to a leading not-for-profit institution. Prior to Roundabout, she held positions at the Boston Symphony Orchestra and Lincoln Center for the Performing Arts. She received her BS the University of Vermont and attended Harvard Business School Executive Education program. She currently serves on the Times Square Alliance Board of Directors and the NYC Department of Education Advisory Council for Arts Education. She is a frequent lecturer on arts management, sponsorship, governance and fundraising.
Sarah J. Hom is Roundabout Theatre Company’s Director of Audience Services. She is passionate about and dedicated to increasing accessibility and inclusion in the arts. Prior to joining Roundabout, she held senior positions with the Denver Center for the Performing Arts and the Colorado Symphony and was Board Chair for Phamaly Theatre Company. When she isn’t sitting inside a theatre (which isn’t often), Sarah also enjoys skiing; particularly with the NSCD in Winter Park, Colorado.
Monique Holt wears many theater hats. ACTOR: Aldonza/Dulcinea in Man of La Mancha (Harlequin Productions). Worker Chen in Snow in Midsummer and Lady Montague in Romeo & Juliet (Oregon Shakespeare Festival). DIRECTOR: Cloud 9, Urinetown, Caucasian Chalk Circle, Deafhood Monologues, TITUS and a short film – Always A Bridesmaid? CREATOR/WRITER: Night Was So Hungry That Ate The Moon, The Dark Room, and The “OR”bit. DASL (Director for Artistic Sign Language) Cymbeline, Movement of the Soul, peeling, and Grisha (film). LECTURER: “Translating Shakespearean Text into Sign Language” 2009 – present. In Seattle, she does consulting work for theater communities and works for Deaf Spotlight as a theater director – creating programs. CREDENTIALS: BFA in Acting – NYU & MFA in Theater – Towson University.
John McGinty Broadway acting credits: Children of a Lesser God, King Lear. NY: Fêtes de la Nuit, World Premiere of Samuel D. Hunter’s The Healing, Veritas, Movement of the Soul. Regional: Levity (WMPAC), The Hunchback of Notre Dame (Sacramento Music Circus and La Mirada Theatre), Tribes (Guthrie Theater, Steppenwolf Theatre), Pippin (CTG, Deaf West). Film: Wonderstruck, Sign, The First Purge. TV: Faces, Zoey’s Extraordinary Playlist, This Close, High Maintenance, Don’t Shoot the Messenger, Able. He also works for Actors Equity Association, and Executive Director at Senses Askew Company.
This program is supported, in part, by public funds from the New York City Department of Cultural Affairs in Partnership with the City Council, New York State Council on the Arts, and The Nancy Quinn Fund, a project of ART-NY.