A Westside Experiment
Young Actors Laboratory
As the parent of a theatrically inclined adolescent, IRT’s Westside Ex
-Joe Matunis, Father of Maya Matunis
For Ages 10-17
Since 2007, IRT Theater has served the downtown theater community by providing space, support and community for independent artists through its 3B Development Series. An offshoot of IRT’s 3B Development Series, the Westside Experiment offers students the skills to create original devised theater in collaboration with a working theater company in residence at IRT.
The progressive Young Actors Laboratory program still covers all the theater essentials, like physical-acting technique, improvisation & script writing, but with a decidedly downtown twist. This years unique summer experience will include a fusion of sign language, spoken word, mime, storytelling, dance and music. This is a great choice for students, hearing, Deaf, and Hard-of hearing, who are interested in theater but eager to try something more offbeat than, say, Oklahoma.
No prior acting experience necessary. Artists of all disciplines encouraged to apply. Bring an open mind and have it blown away!
Tuition: $600 per student (payable in cash or check)
Deposit: $200 non refundable deposit to hold spot.
Fully accessible and FREE for Deaf and Hard-of-Hearing students.
DOWNLOAD TUITION ASSISTANCE APPLICATION
Check should be sent to:
IRT Theater 154 Christopher st. 3B NY, NY 10014
BEHIND THE SCENES:
In 2016-2017 We were under a contract with the John F. Kennedy Center for the Performing Arts. It was designed to provide enriching career development opportunities to Deaf and Hard-of-Hearing youth through the Westside Experiment. Please watch our video for more information. CLICK HERE
The Weirder the Better?
-November 2012 issue of American Theater Magazine
IRT’S Westside Experiment Provides Eureka Moments for Teens
Not all experiments happen in the lab.
– Featured in Seen in NY presented by Teachers College, Columbia University 2015
Amelia Hensley (she/her) Broadway: Spring Awakening (Deaf West). Off Broadway: I Was Most Alive with You (Playwrights Horizons). NYC: Sylvia (NYDT), Dancing Girl (She NYC Arts), Stepchild (IRT Theater), Rape of Lucretia (New Camerata Opera). Seattle: A Midsummer Night’s Dream (12th Ave Arts), Skin (Deaf Spotlight). LA: Spring Awakening (Deaf West), Our Town (Pasadena Playhouse) Romeo and Juliet (Sontag Greek Theatre). DC: The Lady Becomes Him, (Faction of Fools), Peepshow (Dog & Pony DC), Noises Off (Kennedy Center American College Theater Festival).
Jessica Ranville (she/they) is a theater artist based in NYC. Originally from Winnipeg, Canada, she is part of the Métis Nation of Manitoba. They focus on developing new works (The Lark, NY Stage & Film, WP Theater) and plays with music and folk musicals (Stupid F*cking Bird at The Pearle Theatre, Charles Mee’s Soot and Spit at the New Ohio Theater). Regionally, Jessica most recently played William Dunn in Men On Boats at Baltimore Center Stage. Past work at IRT theater includes residences with Our Voices and Blessed Unrest. MFA: The New School for Drama; jessicaranville.com; @jessicaranville
This program is supported, in part, by public funds from the New York City Department of Cultural Affairs in Partnership with the City Council, New York State Council on the Arts, and The Nancy Quinn Fund, a project of ART-NY.