Siena Rafter in Residency
Curated Workshops, Performances and Exhibits
 
Sep 30 – Oct 6 2025
3B Development Series | ASL Creative
IN RESIDENCE: September 30 – October 6, 2025
IRT Theater Presents Siena, who will be featuring a week of curated workshops, performances and exhibits by some of their favorite artists and collaborators.
O.B. MacDougall | SPLIT: BRIDGE is a collection of performances exploring the variety of embodied and conflicting identities we hold.
O.B. MacDougall is a trans CODA multi-disciplinary artist and musician. Their shows merge audience and performer through a range of loosely structured formats built to hold comedic and heartfelt elements. Their work observes and works to integrate the varied internal roles of the psyche, and how exploring them as characters can broaden our imagination of ourselves and our possibilities.
PERFORMANCES:
September 30, 2025 @ 7pm
RUNNING TIME: 90 minutes
PRICE:$10 General Admission
Fappell Roan | Fappell’s Freaks! A Drag Workshop and Open Stage
Fappell Roan is THEE vengeful glamour clown currently possessing the body of actor and filmmaker Bruce Baldini. Part pop diva, part ghoul, this drag king is ready to stop your heart with electrifying DRAMA. Beware.
Follow Fappell and Bruce on Instagram @theebrucie
Fappell’s Freaks! A Drag Workshop and Open Stage
Drag Workshop FREE @ 5PM (All Levels)
This is a skillshare where participants will learn a spooky drag skill from Fappell and/or share a technique they have mastered. It will also be a time to discuss goals and visions for participant’s drag during spooky season. All levels, including unhatched drag stars, are welcome! Participants can come and go as they need.
BYO MAKEUP SUPPLIES and SNACKS to SHARE
Drag Open Stage Doors @ 8:30/ show @ 9
Suggested donation $10-20
The Ballad of Elaine, As Told by Pickle Jane ( a reading ) | Pickle Jane and Elaine are ride-or-die best friends—but friendship this deep means dealing with baggage.
Pickle Jane and Elaine are ride-or-die best friends—but friendship this deep means dealing with baggage. (We’re talking hoarders and hangovers, a faceless sub of a billionaire, ancestor flashmobs…) Now, Pickle Jane wants you in the front row of their drama, and maybe even on call as Elaine’s next lifeline for when things go sideways (they will). The Ballad of Elaine, As Told by Pickle Jane reckons with the seismic power—and peril—of female friendship and who gets the privilege to tell her story.
PERFORMANCES:
Oct 3 @ 3:30 & 7
RUNNING TIME: 1.45hrs
PRICE:
$10.00
MELODY | Just some random ex-theater kid who decided that once a year he’s gonna subject his friends to a one-night only staging of a musical.
Melody is just some random ex-theater kid who decided that once a year he’s gonna subject his friends to a one-night only staging and production of a musical. This is actually a front for stroking his ego and hearing things like “wow Melody you should have been a director” and “damn the NYC theater community lost when you decided not to pursue this professionally”.
PERFORMANCES:
Oct. 5th @ 7pm
RUNNING TIME: 2.5hrs
PRICE:
$15 .00
Khandis : DOOM | DOOM an anthology play following the lives of five people who experience the same premonition of a cataclysmic event resulting in apocalypse.
DOOM is an anthology play following the lives of five people who experience the same premonition of a cataclysmic event resulting in apocalypse. We follow the different ways one responds to not only their own doom, but doom to all things.
PERFORMANCES:
OCTOBER 6, 2025 @ 7pm
RUNNING TIME: 45 minutes
PRICE:
$12.00
IRT Theater is a grassroots laboratory for independent theater and performance in New York City, providing space and support to a new generation of artists. Tucked away in the old Archive Building in Greenwich Village, IRT’s mission is to build a community of emerging and established artists by creating a home for the development and presentation of new work.
This program is supported, in part, by public funds from the New York State Council on the Arts and the New York State Legislature; New York City Department of Cultural Affairs in Partnership with the City Council; A.R.T./New York’s NYC Small Theatres Fund made possible with support from the Howard Gilman Foundation & support for ASL interpretation provided in part through funding from Access A.R.T./New York.
ACCESS: IRT is a fully wheelchair-accessible facility. Please reach out to Kori Rushton if you have any accessibility questions or concerns, krushton@irttheater.org
